Chris Smither - Keeping Acoustic Blues Alive

 I don’t have the slightest idea what drew me to Chris Smither or what caused me to give him a listen, but it was a wise choice. There just aren’t many people who do what he does, and that’s refreshing. So what does he do? He’s a finger style guitarist, (think Mississippi John Hurt or Lightnin’ Hopkins), and that’s worth listening to, but he also is a brilliant songwriter, and interpreter.

Bonnie Raitt recorded Smither’s “Love Me Like A Man” which has become one of her better known songs. He almost exclusively plays solo, accompanied by his own guitar and a “foot box” that serves that keeps the beat.

While other blues guitarist wonder too far into the land of the endless electric guitar solo, Smither’s playing serves to complement each song. Yet his playing is melodic and never self indulgent. There is no better example of his interpretive skills as his cover of Roly Sally’s “Killing The Blues.” Artists has covered the song multiple times, including John Prine, Alison Krauss and Robert Plant, and others. Smither’s version is superior, taken at a meditative tempo and a vocal that captures the melancholy lyrics. It’s a masterwork.

He has recorded for several labels and now that musicians have returned to touring; he is back on the road. Chris Smither has been recording and touring for over fifty years and in the process has written several songs that are brilliant examples of his unique qriting and playing style. Check out “Up On The Lowdown,” and “leave the Light On” among others.

Smither is worth discovering and a reminder that ofttimes the best music is rarely found on the airwaves but the clubs and small venues across the country.

 

Michael McDermott - "Willow Springs" (EXPLICIT)

                 

                

I admit it. I forgot about Michael McDermott. Since tending bar in the early 90s allowed me the luxury of playing whatever I wanted on the house stereo system, I kept McDermott’s debut release 620 Weed Street in heavy rotation. It was great to see a local artist sign a major label deal and receive airplay on WXRT. He soon appeared on MTV which played the video for his first single "A Wall I Must Climb.”

He earned his stripes in the Irish taverns and pubs in the Chicago area while he began writing songs. Influenced by local legend the late John Prine, among others he soon hit the big time and signed with Giant records.

Soon the ridiculous comparisons followed, the “new Springsteen” among others, as expectations exceeded reality. Subsequent releases, though critically hailed, failed to live up to the hype, and years of well-documented substance abuse dominated his once promising career. But despite personal issues, the music never stopped as the major label releases morphed into independent releases.

But rarely has a performer made such an impressive return to form. McDermott has been sober since 2014 and has released several stellar recordings in the last five years. He moved back to the south suburbs with wife Heather and his artistic rebirth has not gone unnoticed. The career upturn began with 2016’s Willow Springs, which reached #1 on the European Americana chart. Showered with critical accolades, the prolific songwriter released the follow up, Out From Under in 2018. Less than a year later Orphans was released, consisting of songs left off Willow Springs and Out From Under and older recordings. In June 2020, McDermott continued his run of great recordings with What in the World.

Since it appears live music venues are booking again, take the opportunity to see McDermott live. You won’t forget him.

Chicago's South Side Roots Revival

                                  

                                 

                   

                    

The South side of Chicago has never been a great place to play original music. On any given weekend live music venues are filled with cover bands. Give the folks what they want to hear. But in recent years things have changed as several roots based bands have recently emerged with recordings of original songs. Say hello to the new roots scene and its most prominent artists: South City Revival, The Railway Gamblers, Pat Egan and the Heavy Hearts, and the Liam Durkin Band.

South City Revival is comprised of Joe Pacelli (vocals, guitar), John Quinn (lead guitar, vocals), Mike Fitzgerald (bass), José “Pino" Perez on drums, and Brendan Linnane (lead guitar, pedal steel). They recently released their first full length CD “Where There’s Smoke There’s Fire.” Their lives shows have earned a devoted following. If you like your country with a kick, check ‘em out.

https://www.southcityrevival.com/

The Railway Gamblers, based in Evergreen Park, IL are led by prolific singer/songwriter Brendan Folliard (guitar, piano, harmonica, lead vocals), who alongside Matt Fricks (lead guitar), Sean Wilmsen (drums), and Dan Kane (bass), just released their fifth recording. Their self-described “Cosmic Americana” style of homegrown music has been attracting fans for several years. 

https://railwaygamblers.com/home

If you like your music with the volume turned up, look no further than Pat Egan and the Heavy Hearts.“Folk rock with 70s guitar swagger,” according to their Facebook page. Check out their 2019 release Love and Disruption." According to their Facebook page their recording was interrupted by the Covid-19 pandemic. Hopefully things will resume and a new release will follow soon.

Liam Durkin is a familiar performer to those who frequent Irish pubs on the south side of town. His powerful vocals and impressive guitar work is evident at his live performances. The Liam Durkin Band just released “Behind the Wheel,” and he is currently supporting its release with a busy touring schedule.

http://www.liamdurkin.com/home.html

It appears the restrictions placed on live music venues are finally easing. Check out these bands and show some support for these bands.

Tom Russell Band - Poor Man's Dream (1989)

                                                                

                     

 Rose Records was a record store on Wabash Avenue in downtown Chicago. There were several floors of recordings separated by genre. I always headed for one of the upper floors where the folk and country records were located. It was a music lover’s paradise. On one particular day, in the early 90s, I was reading the cover notes of Tom Russell's Poor Man’s Dream. I had not heard of Russell, but something told me to take a chance. It was a wise choice.

Tom Russell has produced several great albums over the course of his career, but I have chosen to write about Poor Man’s Dream since it was my introduction to his music. Released in 1990, it contains several of his best songs. “Blue Wing” co-written with Dave Alvin has become one of his standards. “Gallo Del Cielo,” a song that got the attention of Robert Hunter, Grateful Dead songwriter. The heartbroken inhabitants of “Spanish Burgundy.” This is a songwriter at the top of his game. 

Recorded in Norway where Russell frequently tours it features the guitar work of Andrew Hardin who subsequently toured with Russell for years as a duo. This album also features “Outbound Plane” which Russell wrote with Nanci Griffith and was a hit on country radio as performed by Suzy Bogguss.

Russell has built a successful career and has avoided the Nashville scene, or any other scene. He writes well-crafted intelligent songs detailing the American experience and has steadily forged a path of success by turning out great songs. He is also one of those rare artists who hasn’t made a poor record, and some are landmarks of the Americana music scene. The Man From God Knows Where explores the roots of his Irish and Nordic family history.  

In the pantheon of Americans music, Tom Russell is one pillar of artistic ingenuity. Check him out.

 

 

James McCandless - A Forgotten Chicago Treasure

                                                    

Chicago has had its share of accomplished singer/songwriters, most notably Michael Smith, Steve Goodman, and John Prine. But another artist, just as talented, was the late James McCandless. He passed away in 2013, but his music still deserves a larger audience.

 I first heard McCandless around 1990, at Fitzgerald’s night club just outside of Chicago. It was their Tuesday evening open mic. I sat at the bar as various aspiring musicians wandered in with guitar cases in hand. Others huddled in a corner talking shop or tuning up to prepare for their performance.

The proceedings began as the first gentleman slowly took the stage. He looked disheveled in his baggy pants and loose sweater. Then he played some of the best songs I had ever heard. Others in attendance seemed to know him, and I quickly learned I had been listening to James McCandless, a local songwriter.
He immediately stood out by the quality of his songs and his almost classical finger style guitar. The first chance I got, I drove to the Old Town School of Folk Music on Armitage and bought Out West Somewhere. I went to see him every chance I got, which was usually at Fitzgerald’s. He occasionally opened for a touring artist whose songs would usually pale in comparison.

I discovered his music just as he was about to release Sea of Freedom, another collection of stellar compositions. “Lily Langtry” which I have heard called one of the best songs written about celebrity. His own family history is the subject in “Springfield.” Irish musicians John William, Martin Hayes and Jackie Moran join Julianne Macarus to round out the instrumentation.

The music of James McCandless is intelligent, insightful, and will leave you wanting more. Hopefully, more artists will cover his songs in ther future. His wonderful songs are widely available on streaming services and at jamesmccandless.com     

                                                

Best Americana Albums

 What exactly is “Americana “music? It can be argued at length, but perhaps the best way to explain it is  to give my list of favorite recordings that I consider outstanding examples of the genre. Drum roll please...

Guitar Town - Steve Earle 

This was the record that put Steve Earle on the map. It rocks and has enough twang to earn some success on the country charts. Key tracks: “Fearless Heart,” “Someday”

Trace - Son Volt 

After the break-up of Uncle Tupelo, Jay Farrar released this stunning collection with new band mates as Son Volt. This 1995 release still holds up as an example of brilliant songwriting. Key Tracks: “Windfall” “Tear Stained Eye”

Poor Man’s Dream - Tom Russell

Tom Russell has flown under the radar for most of his career. He has produced one of the most impressive catalogues of any American songwriter and is still going strong. This 1989 record is a great introduction. Key Tracks: “Eyes of Roberto Duran” “” Blue Wing"

Time (The Revelator) - Gillian Welch

This contemplative 2001 release is a masterclass of understated excellence. Accompanied, as always by partner David Rawlings, this undoubtedly the high point of her career. Key Tracks: “April 14th (Part One)” “I Dream a Highway”

The Missing Years - John Prine

This alum is all over the place, stylistically. From folkie finger picking cuts “All the Best” to the radio friendly rock oriented “Take a Look at My Heart” produced by Tom Petty bassist, Howie Epstein, this includes several great songs and remains one of Prine’s bestselling albums. Key Tracks: “Picture Show” “Everything is Cool”

Out of California - Dave Alvin

Dave Alvin is Americana. After leaving The Blasters, he began a stellar career that includes this live recording. Armed with a full band, including the late Chris Gaffney, this encompasses everything from blues to straight ahead rock-and-roll. Key Tracks: “Out in California” “Blue Boulevard"

All These Dreams - Andrew Combs

This 2105 recording has been in steady rotation since its release. This Nashville based singer/songwriter has been compared to Glenn Campbell or Mickey Newbury for his countrypolitan sound, but don’t let the easy going vibe be taken lightly. Key Tracks: “Rainy Day Song” “Nothin’ To Lose”

Southeastern - Jason Isbell

The release that made everyone stand up and take notice. The former Drive By Trucker gave up alcohol and in the process became an artist who seems incapable of releasing a poor record. Key Tracks: “Elephant” “Cover Me Up”

Gloryland - Kevin Gordon 

 Gordon’s music has inherited the swampy sound of his native New Orleans. Several cuts were inspired by growing up in the South, as with the “Colfax/Step in Time.” This 2011 recording just never grows old. Key Tracks: “Pecolia’s Star” “Trying to Get to Memphis”

Tribute to Greg "Troop" Trooper

 

Greg Trooper, one our best singer/songwriter’s passed away January 15, 2017 at 61. Armed with his trademark Martin guitar and pork-pie hat, he left behind an impressive catalogue of songs and legions of fans in Europe and here in the states. Several artists, Vince Gill and Steve Earle among them recorded his songs. In one of his last performances, he opened for John Prine and joined him onstage for Prine’s “Paradise.” 

He died on this date three years and is greatly missed. I first heard Greg Trooper in 2003. Sugar Hill released his Floating record to rave reviews. I am one of the many fortunate fans who got to know “Troop,” through a mutual friend who booked him for a few gigs. He was fond of talking music, enjoying a glass of wine, and sharing all his great songs. He was also willing to discuss his inspiration and his admiration of other artists.

A native of New Jersey, “Troop” formed The Greg Trooper Band in New Your in the 90s, which featured Larry Campbell (Bob Dylan). He eventually moved to Nashville where he continued to release critically acclaimed records. These included Noises in the Hallway, produced by E Street Band bassist, Garry Tallent, and Popular Demons, produced by Buddy Miller. After moving from label to label, he released two more stellar recordings for the Sugar Hill label. He moved back to New York in 2009 and continued to tour, write and release records. He was diagnosed with pancreatic cancer and tragically passed away in 2017.

Like any road warrior, he had plenty of stories.I once asked him about his popularity in The Netherlands. I had noticed he toured there at least once a year. He told a story about being invited to headline a festival. He brought a band and played the prime slot on the Saturday night of the festival. “It was one of those dream gigs. We just nailed it! And ever since I’ve had a steady audience there.”

Even a casual music fan would recognize that “Troop” deserved a much wider audience. Greg Trooper’s music is still readily available on all streaming platforms. Give him a listen. RIP Troop.